References

This page is dedicated to bibliographies that I have accumulated that may be of interest and help to others.

BIBLIOGRAPHY- FEMINISM AND THEATRE.

• Aston, Elaine and Diamond, Elin, “The Cambridge Companion to Caryl Churchill”, Cambridge University Press, 2009.
• Aston, Elaine and Harris, Geraldine, “Feminist Futures”, Palgrave Macmillan Ltd, 2007.
• Aston, Elaine and Savona, George, “Theatre as a Sign-System: A Semiotics of text and performance”, Routledge, 1991.
• Churchill, Caryl, “Plays: Four, Hotel, This is a Chair, Blue Heart, Far Away, A Number, A Dream Play, Drunk Enough to Say I Love You?”, Nick Hern Books, London, 2008.
• Churchill, Caryl, “Plays: Owners, Traps, Vinegar Tom, Light Shining in Buckinghamshire, Cloud Nine”, Methuen London Ltd, 1985.
• Churchill, Caryl, “Plays: Two, Softcops, Top Girls, Fen, Serious Money”, Methuen Drama, 1990.
• Churchill, Caryl, “Top Girls”, Methuen Drama, 1991.
• “Dictionary of Critical Theory”, Penguin Books, 2000.
• “Dictionary of Literary Terms and Literary Theory”, Penguin Books 1998.
• Faludi, Susan, “Backlash: The Undeclared War against Women”, Vintage, 1993.
• Freud, Sigmund, “Interpreting Dreams”, Penguin Books, 2007.
• Freud, Sigmund, “The Uncanny”, Penguin Books, 2003.
• Gilbert, Sandra and Gubar, Susan, “The Madwoman in the Attic: The Woman Writer and the nineteenth-century literary imagination”, Second Edition, Yale University Press, 2000.
• Grosholz, Emily. R, “The Legacy of Simone deBeauvoir”, Clarendon Press Oxford, 2004.
• Kritzer, Ameila Howe, “The Plays of Caryl Churchill” Palgrave, 1991.
• Rivkin, Julie and Ryan, Michael, “Literary Theory: An Anthology”, Blackwell publishing, 2004.
• Showalter, Elaine, “The Female Malady: Women, Madness and English Culture, 1830-1980”, Virago, 1987.

BIBLIOGRAPHY- THEATRE AND COMMUNITY.

• Aston, Elaine & Savona, George , Theatre as a sign system: A Semiotics of Text and Performance, Routledge, 1991.
• Carson, Bruce & Llewellyn- Jones, Margaret, Frames and Fictions on Television: The Politics of Identity within Drama, 2000.
• Daniels, Sarah, The Madness of Esme and Shaz,Methuen Publishing Ltd, 1994.
• Davies, Andrews, Other Theatres: The development of alternative and experimental theatre in Britain, Macmillan, London, 1987.
• Goorney, Howard, Theatre Workshop Story, Methuen Publishing Ltd, 2008.
• Haas, Birgit, Modern German Political Drama, 1980-2000, Rochester, 2003.
• Hegerfeldt, Anne, Lies that Tell the Truth: Magic realism seen through contemporary Britain, Rodopi B.V, 2005.
• Itzin, Catherine, Stages in the Revolution: Political Theatre in Britain since 1968, Methuen, London, 1980.
• Kennedy, Dennis, The spectator ad the spectacle: audiences in modernity and post modernity, Cambridge University Press, 2009.
• Kershaw, Baz, Theatre Ecology: Enviornments and Performance events, Cambridge University Press, 2009.
• Kershaw, Baz, The Politics of Performance: Radical Theatre as Cultural Intervention, Routledge, London, 1992.
• Leach, Robert, Theatre Workshop: Joan Littlewood and the making of modern British Theatre, University of Exeter Press, 2006.
• Lessing, Gotthold Ephraim, Hamburg Dramaturgy, trans. Helen Zimmern, Dover Publications, New York, 1962.
• Luckhurst, Mary, Dramaturgy: A Revolution in Theatre, Cambridge University Press, 2006.
• Martin, Carol, The dramaturgy of the real on the world stage, 2010.
• McGrath, John, A Good Night Out: Popular Theatre: Audience, Class and Form Methuen, London, 1981.
• McGrath, John, A Satire of Four Estaites, Capercaillie Books Ltd, 2012.
• The Norton Anthology of Theory and Criticism, Norton, 2010.
• Oddey, Alison & White, Christine, Modes of spectating, 2009.
• Turner, Graeme, Ordinary people and the media, 2009.
• Turner, Cathy & Behrndt, Synne. K., Dramaturgy and Performance, Palgrave Macmillan, 2008.