Monthly Archives: September 2015

DRAMATURG REPORT NO.8

With theatre festival season in full swing in Dublin, I have unfortunately not been able to see any theatre this week. Due to the fact of my many jobs and not enough finance, so instead of being a dramaturg this week I became an artist. Not really, but I decided to share my gallery experience, which I call drama-lery, a game I invented years ago.

Below is drama-lery, venturing around a gallery and narrating possible scenarios about the art. Like all dramaturg’s, their duty is to help translate art into real life for a better understanding of their position within the world. Some people have cited that the made up stories below are true, and they would be right…

I have named each piece ‘Art’ and numbered them according to appearance. Excuse the photography, I just became too swept away in the artistic environment, and summersaulted as I was taking the pictures. I give the real name of each piece and the new drama name I have assigned to each one. There is no real rhyme or reason just a strange imagination and spare time, it forces a theatre mind to go slightly wild when it has free time.

ART 1.

REAL TITLE: Spinario, Amorino, Véineas Cromta.
DRAMA TITLE: The Lads.

The lads

(Each sculpture is named from left to right, Alan, Bert, and Calvin)

Bert: Time to hit the town lads, we are in for a night of debauchery.

Alan: Be ready now… (looks up at Bert) just have to pick something out of my foot first.

Calvin: What is on your foot, (looks up at Bert), oh yeah I just need to look at the ground dramatically, oh look there is an ant on the ground, how fascinating.

Bert: Come on lads, it is really getting on, it’s like my penis is distracting you or something.

Alan: Man, where is your clothes?

Calvin: We won’t get in anywhere if you are waving your dick around place.

Bert: Won’t we?

(awkward silence)

Bert: You do realise we are all in the nip.

ART 2

My first Mass

REAL TITLE: Mass in a Connemara Cabin
DRAMA TITLE: My first Mass

There are mutters heard throughout the house as the priest enters the room. As he steps up on the chair, I mean the alter, he pauses for a moment.

The priest says the following in his head to himself.

PRIEST: Candles lit, wine is ready, bible at hand, where the fuck is my bible! It’s behind me, need to stop panicking, can’t channel God’s word if I am panicking to fuck.

Sorry lord for swearing.

Everyone seems eager, well dressed, apart from ginger Joe positioning himself for another fart. He should really see someone about that. He would make a warthog wilt with those farts.

Focus you’re a priest.

Sorry Lord for swearing.

Bless yourself, right hand up, not the left that’s the evil hand. Or is it the other way around? Maybe I could just do both at the same time, maybe start a new religious trend. That is Bishop material right there. Father Gerry would have to sit back and give me the Bishop title, he may feed the homeless, but I just thought of a new gesture for mass! Ha!

Sorry Lord for swearing.

Did I swear? Well I am just talking to myself, does it really count as swearing if it is too yourself? Buddhists say you can think what ever you ever you want as long as you don’t act on those thoughts.

You are a Catholic, get it together!

Sorry Lord for shite-ing on.

ART 3

Grey and in the nip

REAL TITLE: A Family.
DRAMA TITLE: A Family

(In a futuristic/ absurdist style of theatre)

Bang, clap. I drag the grey covers off my incredibly long neck.

Squish, blurt. My body is awake to a new grey day. With my old grey family.

Where are the clothes?

We don’t have clothes because that is societies method of corporal prisons.

My elongated necked husband is not keen on leaving the prisons behind and slumps his head in despair.

That is not despair you are awakened. You are welcome.

Clothes will not define me, he will not define me.

WHERE IS MY COFFEE.

The holy grail of capitalism, and the best cure for this hangover.

I am hungover on life not liquor .

You are liquor. You over there little human.

Bark, clap, slap, boom.

Little innocent, little human.

Where did you come from, uranus? My anus.

Well not my anus, although that probably would of been easier.

Bang, ouch. You have a giant head.

Arghh, no. Mammary gland parasite.

Blup, slup, may have gone too far.

Blap blap, slap, pap.

Fine, time for work.

ART 4

Dick's head of the Society

REAL TITLE: Parody of Raphael’s School of Athens
DRAMA TITLE: Dick’s Head of the Society

Stage note: No one will be named, the voices will be assigned according to the spectator. And there is not enough middle aged white male names on this planet for this painting. The context of the dialogue makes it easy to assume which voice is associated with each character.

-Playing my flute, what a lark. Look at me larking.

-That is some sized hat. You could fit my whole belly in that hat. Can I buy it from you?
-Why thank you, and no.

-Karate chop into the crotch. Out of my way you human giraffe. I need to press my giant cuffs.
-Oh sweet, sweet man, you can at least ask me out for dinner first.

-(drunkenly) where did those steps come from. What idiot put those steps there. This is why I never come to these parties, because (hiccup) yeah. No one will listen to me. When I find my leg you are all dead. Might just take a nap here.

-Someone get him up, he will leave a stain on the ground he is so dirty. How undignified.
-Look a dog! He looks like my wig in the morning.
-What is the point.
-Ha, now the dog is sniffing the other dog’s bum.
-I hate you.
-(laughing) Now there is another dog.

Singing, Sitting in the chair, without a care, then a hear a squirrel.
-That is a terrible song, all you are doing is dramatic rhyming.
Singing, You are just jealous because all of my…
-You won’t be able to think of anything that rhymes with jealous.
-Yes I can.
-Go on.
-…Nelous.
-That isn’t a word.
-It could be.

-I just wanted one decent night in, that is all I wanted and all I end up in a room with puke and dog hair. Where did the dogs even come from? I will just sit here and wait for it to end, while judging everyone over my oddly shaped glasses. Someone has stained my table cloth! This is too far. They will all pay, now I will not just judge but ignorantly grunt and sigh at everyone in a passive aggressive tone that cannot be ignored.

-Flute, look at me larking!
-Just because you say flute doesn’t mean you are playing the flute.
-You are just jealous because my flute is bigger than your flute.

Silence

– My flute is eight inches.

Silence

– Just saying.

ART 5

Brian May the Wizard

REAL TITLE: The Conjuror
DRAMA TITLE: Brian May: The Real Story

Brian May and his friendly owl spend days on end thinking about years gone by, not when he was in Queen but when he was a wizard.

No one believes Brian because people are conceited and can’t see past his wild matted hair and beard, and he does not make matters better for himself by carrying a giant stick, that he has named his wand.

Brian tirelessly tries to convince his little grandson (or grand daughter, she is a very neutral looking character in this piece), about his wonderful days of being a wizard. Full of cauldrons, potions, and when stunning coats were in a abundance. Only Brian will know of the magic he possesses, the emotional electricity that runs through your body when a spell has been complete to perfection. Unless you are a badger, he has told all the badgers, even shouted it to them down into their dens.

I guess we will never know.

Brian: (to the little girl) You keep on missing it you little shit!

_____________________________________________________________________________

And that was drama-lery, if you are stuck for money and entertainment why not try it at home. Well you couldn’t really try it at home that was just a slip of a colloquialism there, you would definitely need a gallery for this activity.

Apologies again for the photography, I was trying to take the pictures on the sly even though there wasn’t a flash on my phone, therefore I couldn’t hurt the picture or the picture’s soul. Do you hear me security man from the second floor, I DIDN’T HURT THE PICTURE.

Or better still this is Art depicting Art.

Thank you for reading these words and pictures.

All rights reserved to Katie Poushpom, k.e.poushpom

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DRAMATURG REPORT NO. 7

My week through the artistry of images.

In the middle of Tipperary, where you can witness a tree eating a bike. Nature is back, and it is pissed.

In the middle of Tipperary, where you can witness a tree eating a bike. Nature is back, and it is pissed.

I found a pirate ship! Not really, what I did find was how to focus on my camera.

But not really, what I did find was how to focus on my camera.

All my friends. According to my computer these are the most photographed faces. There is only two human faces.

According to my computer these are the most seen faces. There is only two human faces.

Working at Electric Picnic I thought I'd be artsy and take photos, I just seem to chop or distort faces. It's dadaesque art, well now it is.

Working at Electric Picnic I thought I’d be artsy and take photos, I just seem to chop or distort faces. It’s dadaesque art, well now it is.

Went to the National Gallery, found this beautiful piece in the foyer, its called 'temporarily unavailable'.

Went to the National Gallery, found this beautiful piece in the foyer, its called ‘temporarily unavailable’.

Feeling so inspired by all the work I witness over the past few weeks I decided to take my own photographic self portrait, called 'attacking the camera with your face', it will be huge in most countries.

Feeling so inspired by all the work I witness over the past few weeks I decided to take my own photographic self portrait, called ‘attacking the camera with your face’, it will be huge in most countries.

Now with that picture interlude complete, time for some words. At the end of each week, I put together my own dramaturg report for my own work. To help understand the drama versus the dramaturgy. Simple guide to balance my work with my other jobs. The drama being the work I am completing, and dramaturgy being the overall body of work I envisage it will form together. And I keep recording what I am completing and if it is remaining within my own deadline. It’s more about time than anything, time can be a cruel mind fuck. You think it’s nine o’clock so you begin to faff around and read about some upcoming shows then all of a sudden it’s one o’clock! In essence it balances my work load for the week making sure I meet my own artistic goals, particularly if you are trying to balance jobs like an overworked scales.

Unusually I had a bit of extra time this week, which I dedicate to letting the wild theatrical dramaturg ideas flow. To add a bit of life to the project I am currently working on, to allow myself time to creatively explore the projects and all of the sinews that form it, instead of sweating over the time limit I have to work in order to get to my next job. On an off topic note, not enough theatre makers discuss is allowing and allocating that time to explore and develop your ideas in order to make them into profitable pieces of theatre, both theatrically and financially. Probably because they are afraid that people like the Arts Council or fellow theatre makers won’t think they are theatre machines anymore, and in fact just normal human beings, damn these fleshy arms, I said write more stage directions not mange directions!

Although sometimes this creative time gets a bit strange, here are some of my notes I found the other day from last week. As you will witness I was combining a rational topic within theatre with…a…dramaturgical direction…a random dramaturgical direction.

1. THEATRE ECOLOGY: Create a traditional proscenium arch stage. Unbeknownst to the audience that the entire stage is made out of carefully constructed soil laced with turbo seeds. When the audience spit on the stage, or cry on the stage, a flower suddenly grows and flourishes out of the stage within two minutes. Obviously because it is laced with turbo seeds. Turbo seeds are not invented yet, but we will leave that up to stage designer to sort out.

Audience participation.

2. I could fill out the application in a series of riddles, vulgar similes and off topic analogies. Expressing my theatrical language and subverting the traditional application form of writing. I have to learn their vague ramble filled language, now they must learn mine!

Applying to the Arts Council.

3. Dramaturgs could be attached to a series of harnesses that allows them to float around the stage during the rehearsal process. This would literally give them a higher understanding of the overall dramaturgy of the performance and write up notes a float. And descend when necessary.

Making dramaturgs a more prominent figure in theatre.

4. Magic! playwrights could add disclaimers to the their work that there is a spell attached to every word and stage direction. if anything is plagiarised the word their will grow a toe on their forehead. So everyone will know that was the toe face who copies other peoples work. They will be known as toe folk.

Protecting playwrights work.

5. When a theatre company has lost a lot of morale, there is a puppy service provided from the Arts Council that brings puppies in to make the whole company feel better. Free of charge, no application process, all you need is a sad face and the Arts Council will get the puppies to the company within the hour.

Company longevity.

6. Instead of a front of house you could have a mime. Try find the toilets now reviewers!

Harmonising the theatre with the performance.

7. Playwrights could enter what ever space they find that satisfies their writing needs and by shouting ‘NOW’, the space has automatically become their new writing space. No funding necessary just a portable chair and table.

Outsourcing spaces for playwrights to develop and complete their work.

The method to this modus operandi, that is right there really is method to this madness, is to take a topic, a genuine topic as written below the chaotic rationale. Then letting your imagination run wild. But to make sure it remains in some respects within the context of the initial idea.

Why did I share this information with internet land, because I feel theatre is ready for all this weird jelly.

Sharing is caring, and I care, between the hours of 1-4pm on Mondays.

Thank you for reading.

All rights reserved to Katie Poushpom, k.e.poushpom.

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